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Text: Hans Ulrich Obrist – In Conversation with Julian Assange, Part I

 

Hans Ulrich Obrist - In Conversation with Julian Assange, Part I

 

When I first met Julian Assange—thanks to lawyer and Chair of the Contemporary Art Society Mark Stephens and curator/lawyer Daniel McClean, both of the law firm Finers Stephens Innocent—we discussed ideas for various interview formats. Anton Vidokle and I had discussed the idea to conduct an interview with Assange in which questions would be posed not only by me, but also by a number of artists. This seemed only natural considering the extent to which so many artists have been interested in WikiLeaks, and we then invited seven artists and collectives to ask questions over video for the second part of the interview…

Laurie Jo Reynolds – Artist Shows Supermax Prisons Supercruel

 

Laurie Jo Reynolds - Artist Shows Supermax Prisons Supercruel

Two years ago this November, President Obama appeared on “60 Minutes” and reiterated his promise to close the Guantanamo Bay detention center.  This promise was seen by many as a first step to ending interrogation and torture methods employed by the United States government.  But as of July 2010, detainees remain at Guantanamo and little has been done to change U.S. interrogation policy. With the growth of supermax prisons, rising incarceration rates, and the influence of prison guard unions in states like California, prison reform is an issue the U.S. has only begun to come to terms with, both economically and legislatively…

el-instituto

 

 

el-instituto

el instituto, currently headquartered in Mexico City, is a not-for-profit organization that generates exhibitions, conferences, workshops, courses and platforms for other events. el instituto is committed to the exploration of the overlap between art, culture, politics, activism and human rights theory and practice, both locally and internationally. Having no physical site of its own, el instituto functions symbiotically, hosted by cultural or academic institutions, while also operating in less official spaces and capacities…

Film: Which Way Home

Which Way Home

SYNOPSIS

As the United States continues to build a wall between itself and Mexico, Which Way Home shows the personal side of immigration through the eyes of children who face harrowing dangers with enormous courage and resourcefulness as they endeavor to make it to the United States.

Study estimates that illegal immigrants paid $11.2B in taxes last year, unlike GE, which paid zero

STUDY ESTIMATES THAT ILLEGAL IMMIGRANTS PAID $11.2B IN TAXES LAST YEAR, UNLIKE GE, WHICH PAID ZERO

I bet most of you didn’t know undocumented immigrants contributed more – much more – to the national treasury last year than General Electric. Surprised? Yet it’s true.While GE – which earned a whopping $14 billion last year – is reported to have paid nothing, nada, zero in taxes (GE denies it), the undocumented paid billions in state and local taxes in 2010…

 

 

 

Film: ADAMA

ADAMA

ADAMA is an hour long documentary film that will be broadcast on PBS in September 2011. The film follows the story of Adama Bah, a 16-year-old Muslim girl growing up in Harlem, who was detained by the FBI after she was accused of being a “potential suicide bomber”.

Milica Tomic-”Container” project

Milica Tomic, “Container” project

Container project is a reconstruction of an atrocity that took place in Northern Afghanistan, the massacre of thousand of Taliban prisoners of war by the Northern Alliance, directed by the American invasion troops. Taliban war prisoners were put into container trucks. They were kept without water and air for several days during their trip through the desert. When they started begging for air, the Northern Alliance troops fired upon the containers “in order to make holes for the air to get in”…

Domènec – Superquadra casa-armário (Super-size block wardrobe-size house)

Domènec - Superquadr casa-armário

Museu Nacional do Conjunto Cultural da Republica, Brasilia, Brazil. November 2007 Two prototypes measuring 220 x 80 x 65 cm each.
Wood, blankets and plastic objects A scaled down recreation of two buildings in the huge blocks of residential housing in Brasília, called “superquadras” or giant blocks of houses; designed by Lucio Costa. Made into prototypes of individual shelters for the “moradores da rua” or homeless. Project made for the exhibition Moradias Transitórias. Novos Espaços da Contemporanidade…

Domènec – Real Estate

Domènec - Real Estate

Real Estate is the result of a long process of delving into the Israeli/Palestinian problem and began in late 2006 following an invitation from the Jerusalem Center for the Visual Arts to carry out a period of residency in Jerusalem and was continued in subsequent visits in 2006 and 2007.

The Real Estate installation is presented as a pretend real estate sales office which offers a series of materials (photographs, videos, interviews, free printed material…) which attempt to be visual proof of the complex, problematic relationship within the territory and housing in this context and to show how architecture and urban planning are part of a war strategy staged by the state of Israel within the context of Palestine occupation and these in fact these become one of the most effective systems of domination…

 

KonungaRikena Elgaland-Vargaland (the Royal Kingdoms of Elgaland-Vargaland)

KonungaRikena Elgaland-Vargaland (the Royal Kingdoms of Elgaland-Vargaland)

Welcome to the Digital Territory of KonungaRikena Elgaland-Vargaland (the Royal Kingdoms of Elgaland-Vargaland).

The Kingdoms of Elgaland-Vargaland [KREV] were proclaimed in 1992 and consist of all Border Territories: Geographical, Mental & Digital. You are currently visiting the KREV digital territory as a citizen or as a tourist. You are encouraged to browse the digital territory of the Kingdoms – follow the links on the right.

Elgaland-Vargaland is the largest – and most populous realm on Earth, incorporating all boundaries between other nations as well as Digital Territory and other states of existence. Every time you travel somewhere, and every time you enter another form, such as the dream state…